These techniques of Italian origin, allow to find all the nobility of the marble, the wealth and the sharpness of its nuançage.
Today, any thin filler or smoothed painting, in the brilliant depiction and in the ornamental custom(usage) is collectively called "stucco".

There are nevertheless traditionally several techniques:
Stuccos in plaster, plaster and lime or simply with lime. In its country of origin, the marmorino filler or "Marmorino" is a mixture of powder of marble and lime, crossed(spent) in several fine coats(layers) and tightened until brilliancy. We find him(it) as well in the Roman wet inside as in outside between solids modénatures The Venetian stucco, very used in the most beautiful Venetian houses, reflect the nobility of the marble. His(her,its) combination(overall) of transparencies and reliefs declines in warm and authentic tints. Applied to the knife or to the lisseuse, the applicator works the aspect to make a unique(only) decoration.
The stucco is perfectly adapted to the covering of walls and ceilings because he can be modelled to become a relief decoration, polished to imitate the aspect of the marble or painted.

In the Antiquity, the Greeks and Romans used him(it) as support of wall fresco. The techniques of stucage were spread(diffused) by the Italians during the Renaissance in all Europe. We found the white stucco generally in churches and stucco colored for the friezes which decorated palaces and pavilions of garden.
The stucage known its highlight about the XVIIth. Palaces the baroque and the Rococo as well as the churches of pilgrimages, notably in Bavaria and in Austria, were decorated with remarkable stuccos. The stucco is a filler tinged in the mass the ancestral technique of which goes back up(raises) to the antiquity. The realizations are applied in ornamental panels popular trés or in the form of relief motives as the mouldings, the stones, the bricks or the columns. His(Her,Its) substantial texture allows to structure the relief and the shape in ornamental works, personalized in the infinity.